"As You Like It"

The Players Theatre

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In a Nutshell

“All the world’s a stage” in a comedy that encompasses everything from feisty feminists to existential melancholy

The Fine Print

Promotional value expires Feb 27, 2016. Limit 8/person. Valid only for option purchased. Redeem on day of show for a ticket at venue box office. Refundable only on day of purchase. Must redeem together to sit together. Discount reflects merchant's current ticket prices, which may change. ADA seating cannot be guaranteed; contact box office prior to purchase for availability. Ticket value includes all fees. Merchant is solely responsible to purchasers for the care and quality of the advertised goods and services.

The Deal

  • $19 for Tier 3 seating (up to $45 value)
  • $24 for Tier 2 seating (up to $55 value)
  • $29 for Premium seating (up to $65.25 value)

As You Like It

We that are true lovers run into strange capers.

When it comes to her relationship with her own destiny, Rosalind wears the pants. The heroine of As You Like It is one of Shakespeare’s most celebrated characters, a young woman who, when exiled from court by a suspicious uncle, fully embraces her independence. While plenty of the bard’s works feature a woman dressing as a man, often to great comedic effect, Rosalind’s disguise makes for one of the most powerful transfigurations, bringing out an inner strength, courage, and forthrightness. As her male alter ego Ganymede, she not only protects her cousin—who keeps her skirts on as they flee—but seizes control of her own fate in a manner typically associated with our male heroes. In the forest, she shames fools, chastises the flighty, philosophizes with the best of them, and even dictates the terms of her own courtship—all without the suffocating confines of a corset.

A flurry of romances—of both Rosalind and other players—make up the meat of As You Like It, and the play is rightly celebrated for its delightful array of twists and turns. But it also contains one of Shakespeare’s most poignant speeches, and it’s one Rosalind isn’t even around to hear. When Jaques, a melancholy nobleman in service of Rosalind’s exiled father, laments that “all the world’s a stage, and all the men and women merely players,” the lighthearted canopy of the Forest of Arden begins to sag with the weight of humanity. In the end of our lives, we enter “mere oblivion, / Sans teeth, sans eyes, sans taste, sans everything.” It’s evidence that Shakespeare believed his play, like his heroine, to be much more than how it appears on the surface.

The Theatre Project

There's growth as an actor, and then there's growth as a human being—but for the founders of The Theatre Project, there's no difference between the two. Emphasizing that actors are indeed ever-evolving human beings and not, as previously thought, aliens practicing how to be human beings, The Theatre Project has transformed into more than a theater company. Driven by a creative ensemble of artists who've banded together to revamp the modern theatergoing experience, it has become an organism. With fresh adaptations such as a take on 4.48 Pyschosis, the Project has earned the title of "Adventurous New Company" from The Villager, and its world-premiere productions have been rewarded with sold-out shows and have inspired Downtown Magazine to hail the Project as "one to watch in the next year." Yet, with each subsequent year, it continues to remain one to watch, as it puts imagination and teamwork into brand-new works and creative interpretations of the classics.

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    The Players Theatre

    115 MacDougal St.

    New York, NY 10012


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