If only everything in life were as simple as stacking together a few toy building blocks. At MusicQube, that's the approach instructors take to music education. It starts in a group introduction class, which requires no music experience or even preference. Singing, piano, drums, woodwinds—kids get a chance to try them all. Once they find a match, students move through five different levels of classes. All of these are focused on four areas: playing different music styles, building confidence, developing a love of music, and setting attainable goals. But this core program is only one of MusicQube's approaches to creativity. The education centre also hosts classes for adults, a children's art program, and summer camps on topics ranging from acting to writing to cooking.
An associate of the Royal Conservatory of Toronto, Victoria Warfield has dedicated her life to music. Experienced in performing as a concert pianist and directing choirs, Victoria also offers private lessons that tutor music-makers as young as 3 years old in specialized Parent & Tot sessions. Older students can tailor their efforts toward the Royal Conservatory of Toronto examinations or veer into pop or jazz styles. Adult lessons shake off rust from years of neglect or fruitless attempts of practicing the flute on a hollow churro to give students a new artistic outlet during classes that focus on music appreciation.
Cadenza Music offers a massive selection of books and resources for beginner and advanced musicians. Students looking to enhance their repertoire can find solace in private and group lessons in piano, voice, harmony, and rudiments. Books and materials divulge information on violin techniques, guitar methods, and ukuleles, alongside CDs and reference books.
Stepping to the tune of her husband's guitar, celebrated flamenco performer Rosario Ancer bridges continents with her knowledge of dance. She trained in Spain and toured in multiple countries before opening Centro Flamenco in 1989, where she and her instructors pull from cultural, musical, and choreographic teachings to guide their students. All the while, Rosario deftly walks the tightrope between authenticity and evolution. Her regular travels to workshops and shows in Spain imbue her lessons with history, yet she hopes to see the art form flourish in experimental ways, inciting guests to stretch their creative muscles during classes.
Rosario exposes amateurs and advanced dancers alike to flamenco's commanding rhythms. As her pupils progress, they learn more about the social significance behind the moves, and eventually sync their kicks to stylized guitar strums. Whether they are mastering simple beats or preparing for a theatre piece, the studio sets them on a structured track, which ends when their smouldering glance can set a tablecloth on fire.