Founded in 2012 by tenor Shawn Mlynek and soprano Autumn West, the Cincinnati Chamber Opera lives by their motto: opera for everyone. That means staging small scale works in intimate venues, showcasing passionate performances by young and up-and-coming artists, and creating accessible productions without skimping on the vibrato. The young company has already presented pieces ranging from popular dramas such as L'Orfeo to little-known comedies such as Il Mondo Della Luna. By casting a broad stylistic net and keeping their stage pictures simple, Cincinnati Chamber Opera aims to return the art form to its populist roots.
In 1961, the University of Kentucky's Department of Agriculture needed background music for a film it was producing. Roughly 65 musicians volunteered, including students and faculty from surrounding universities. Fast-forward four years and this motley crew became The Lexington Philharmonic. Central Kentucky's largest arts organization, LexPhil has since performed more than 100 concerts annually, bringing orchestral music into schools and concert venues alike to inspire citizens and bring music to the masses.
The Laughing Derby serves as a four-walled tribute to comedy, filling its confines with memorabilia as well as belly laughs. The space's stage hosts nationally touring performers and fresh-faced up-and-comers, many of whom have perfected their formulas on late night television or comedy labs' beakers. But while the standups taking the stage represent a wide range of humorous styles, they all have one thing in common: a focus on cleverness that The Laughing Derby values most of all.
Movies can transport you into another world. Experience the thrill at Danbarry Dollar Saver in Florence.
If you've worked up an appetite, no worries! This theater also has a fabulous restaurant.
This theater is kid-friendly, so little ones are welcome to tag along.
Be as loud as you want watching flicks in your car at the drive-in theater.
Drivers can take advantage of the parking lot near Danbarry Dollar Saver and save time on hunting for a parking spot.
Paul Miller has been laughed at for most of his life. Not in the sad, pity-inducing way, but as a touring member of the Ringling Bros. Circus where he steered the clown car and strode upon stilts, charming audience members with his comedic exploits. Eventually, however, he wanted to extend the circus's reach—not only to those who yearned for a chance to fly on the trapeze, but to people who, by virtue of their age, background, or disability, doubted their capacity to do so. He created Circus Mojo as a noncompetitive venue for absolutely anyone interested in the big-top arts to discover and showcase their own “mojo,” conducting lessons with a joint emphasis on physical feats and creativity.
Circus Mojo's staff boasts the equipment and expertise to lead classes on plate spinning, clowning, and acrobatics, among several other performance styles. In addition to holding workshops and summer camps at their studio space, they parade their comedic and aerial talents at special events, such as birthday parties and protest rallies against gravity. In keeping with Paul's vision of circus outreach—a goal that has earned the circus considerable press coverage—they travel to hospitals and incorporate residents into the act through the Mojo Medicine program. Paul also works with struggling youth from high schools and detention centers, striving to impart the sense of accomplishment and inspiration that stems from owning the spotlight.