El Paso Comic Strip Comedy Club has been entertaining El Paso, Texas since early 1986. Long considered one of the top Comedy Clubs nationally, the Comic Strip has been voted the "Best Comedy Club" in Texas and "Best Entertainment Venue" in El Paso.
Teen prodigies Caroline Goulding and Matthew Allen will play Brahms's Concerto for Violin & Cello, op. 102, A Minor, respectively, as well as Schumann's Symphony no. 2, op. 61 C Major. Brahms wrote his concerto as a means of reigniting his friendship with Joseph Joachim, after a bitter fight over the correct pronunciation of beignet drove them apart, while Schumann inked the masterful Symphony no. 2 in C major as he recovered from a psychological breakdown. The piece features a scherzo second movement, a slow third movement, and an adagio section pitting the double reeds against the horns in a single-elimination battle royale.
With 47 seasons of quality, not-for-profit community theater tucked into its curtain belt, the El Paso Playhouse brings a homegrown local flair to Robert Anderson’s four-part comedy about the farcical perils of interpersonal communication. Directed by stagecraft savant Jonathan Schwind, this uproarious production runs on weekends from May 20 to June 11, with 8 p.m. shows on Fridays and Saturdays and a 2 p.m. show on Sundays. As the play progresses through its seemingly unrelated acts, audience members are treated to fresh revelations on life and relationships that range from the hilarious hurdles of childrearing to the charming complications of love in old age.
Shundo Dance Studio's crackerjack rug cutters, celebrating more than 25 years teaching choreographed struts, transform pairs of left feet into Astaire-esque hooves of rhythm and grace during group lessons. The Foxtrot, Rumba, and Waltz sessions invoke a simpler time when men wore hats and women hunted wooly mammoths, and the Swing class allows for more modern and flashier moves, such as the Lindy Hop and Charleston. Or add a little Latin flair to evenings by learning how to hip swivel through Salsa, Cha Cha, Samba, and Bachata gambols. Class sizes average between 15 and 20 humans to ensure that everyone gets the personal attention they need while providing enough of a crowd to hide missteps and spasmodic break dances.