Israel Film Center’s name says it all. The establishment corrals Israeli-themed films to promote and expand the country’s presence in the world of cinema. The center’s library of feature films, short films, television shows, and documentaries gives members easy access to home screenings without requiring a working knowledge of the Dewey Decimal System. Meanwhile, the Jewish Community Center in Manhattan brings many of these to the big screen and provides educational opportunities through classes and online materials. The center also sponsors a film festival that rolls out its diverse lineup of flicks over eight days at venues throughout the city.
Abbey Theatre veteran Ray Yeates takes audiences on a guided tour of the Irish émigré’s psyche with an uplifting one-man performance set amid the Irish economy's stunning collapse. In this standalone sequel to his internationally produced In High Germany, acclaimed playwright Dermot Bolger reconnects audiences with Eoin, an expat back in the country of his birth after an extended stay in Germany. Armed with no more than his sharp wits and the stitching on his polo shirt, Ray Yeates convincingly transforms the intimate West Village stage into Dublin Airport for a riveting 75-minute performance. Making use of airports’ birthday-clown-like tendency to evoke existential dread, the play extracts an uplifting story of friendship and family from the midst of a late-night boarding area.
Located in a former fire station, this cinema in Greenwich Village is the neighborhood’s longest running. Since 1963, Cinema Village has survived on a steady diet of art-house and indie programming, which has included documentaries, animation, cult classics, foreign films and festival screenings. Now decked out for the digital era, the three screens continue to play to audiences of up to 156 inside the tight, spartan theaters. But the lack of creature comforts matters little to the dedicated patrons who come for the shows they can’t get anywhere else in the city. And should you arrive too early to grab a seat, waiting space is always available in the small, dim downstairs lounge.
The Flying Karamazov Brothers explode with ramshackle percussion, frenetic footwork, and musically inspired jokery amidst myriad trademark juggling routines. The daffiness is dashed with danger as the kilt-sporting Brothers juggle an arsenal of hazardous objects in their signature act, "The Terror," while an element of impromptu excellence enters during "The Gamble," an act that involves the juggling of personal items procured from the obliging, applauding audience.
Based in the West Village, Film Forum is an autonomous non-profit cinema house that has the wonderful distinction of being open for more than four decades. The theater’s three screens run a variety of American independent features and foreign art films every day of the year, and curates in-house film festivals, documentary showings and retrospectives as well. These special events often bring writers, directors, filmmakers and authors to the stage for lectures and Q & A sessions, which can render the fewer than 200-seat spaces a bit cramped at times. But for the cinematically passionate, Film Forum remains a mecca of quality film screenings and rare archival showings, all run by a core group of buffs and hobbyists who truly enjoy the work they do.