At Aerial Space, workouts unfold in midair. Practitioners weave through suspended silks, flow through yoga poses supported by hammocks, or practice acrobatic moves on the static trapeze and lyra, a suspended hoop. Aerial Space's aerial circus-arts classes, offered privately and for groups of children and adults, instill equal parts grace, fitness, and newfound skill.
Boasting one of the largest venues in the Triad, and blessed by the muses since 1934, Twin City Stage gives the Winston-Salem community a place to both experience live theater and perform in it. Mitch Albom’s comedy, Duck Hunter Shoots Angel, follows a couple of cockamamie duck hunters who believe they’ve shot an angel and are relentlessly pursued by a cynical tabloid journalist and his reluctant photographer—but everything changes when they stumble upon a pair of wings and a tiara. Like most Thanksgiving dinners, the production wittily intertwines a love story, garish media, cultural stereotypes, and a character that is half alligator and half man.
Many dance companies approach ballet from a modern angle. Caroline Calouche prefers a more perpendicular one. When the stage is not enough space for her visions of macabre masquerade balls or surreal dreamscapes, she takes to the air above it, outfitted with a cirque's worth of aerial harnesses and accouterments. Her dancers are just as likely to pirouette down a 20-foot skein of golden silk as across a hardwood floor. Pairs of lovers might hang precariously from the frame of a hollow cube or perform a gravity-defying pas de deux on the double lyra—their suspension above the earth either an expression of freedom or a prison of their own making. Like identifying an elderly smoker's gender over the phone, the airborne element leaves plenty of room for interpretation.
By marrying the storytelling ability of floor-bound choreography with the gravity-defying tricks of circus arts, Caroline Calouche & Co. unleashes the full potential of aerial dance. The company's productions are free to venture to strange new places. For example, in past shows, women have risen from their graves to haunt their murderous husbands. Likewise, the sounds of Moby and Blue Man Group are more likely to be heard than Debussy.
Audience members who want to plqy the ropes and silks for themselves can learn to do so during the dance company's aerial-dance classes, along with a tight curriculum of ballet, contemporary, and stretching and strengthening courses. For all its global influences and aerial showmanship, Caroline Calouche & Co. keeps its feet rooted in the local community with outreach programs for all ages, ethnicities, and social groups.
• For $44, you get two upper-balcony (balcony rows LL–WW) tickets (a $68 value before fees, or up to an $86.30 value online, including all ticketing fees). • For $60, you get two lower-balcony (mezzanine rows AA–KK) tickets (a $97 value before fees, or up to a $116.20 value online, including all ticketing fees).