At Aerial Space, workouts unfold in midair. Practitioners weave through suspended silks, flow through yoga poses supported by hammocks, or practice acrobatic moves on the static trapeze and lyra, a suspended hoop. Aerial Space's aerial circus-arts classes, offered privately and for groups of children and adults, instill equal parts grace, fitness, and newfound skill.
Many dance companies approach ballet from a modern angle. Caroline Calouche prefers a more perpendicular one. When the stage is not enough space for her visions of macabre masquerade balls or surreal dreamscapes, she takes to the air above it, outfitted with a cirque's worth of aerial harnesses and accouterments. Her dancers are just as likely to pirouette down a 20-foot skein of golden silk as across a hardwood floor. Pairs of lovers might hang precariously from the frame of a hollow cube or perform a gravity-defying pas de deux on the double lyra—their suspension above the earth either an expression of freedom or a prison of their own making. Like identifying an elderly smoker's gender over the phone, the airborne element leaves plenty of room for interpretation.
By marrying the storytelling ability of floor-bound choreography with the gravity-defying tricks of circus arts, Caroline Calouche & Co. unleashes the full potential of aerial dance. The company's productions are free to venture to strange new places. For example, in past shows, women have risen from their graves to haunt their murderous husbands. Likewise, the sounds of Moby and Blue Man Group are more likely to be heard than Debussy.
Audience members who want to plqy the ropes and silks for themselves can learn to do so during the dance company's aerial-dance classes, along with a tight curriculum of ballet, contemporary, and stretching and strengthening courses. For all its global influences and aerial showmanship, Caroline Calouche & Co. keeps its feet rooted in the local community with outreach programs for all ages, ethnicities, and social groups.
Though competitive ballroom dancer Dana Glandon spends much of her time preparing for and winning national dance championships, she's still found the time to establish several dance studios. Drawing from more than 20 years of dance experience, she joins Tony Prado?a WDC World Pro-Am finalist, stage performer, and tango dancer commended by the USTA?in coaching students of all skill levels at Queen City Ballroom. Through detail-oriented instruction and customized lesson plans, they and their instructors give customers personalized attention, earning accolades as one of Charlotte's best ballroom dance studios from CBS Charlotte.
During classes, instructors teach basic techniques of leading and following before moving on to specific steps. Students may learn Latin dances such as salsa, bolero, and merengue; ballroom dances such as foxtrot, Argentine tango, and Viennese waltz; and social dances such as swing, hustle, and two-step. While well versed in the language of dance, the instructors also speak 10 other languages, including Spanish, Portuguese, Russian, Ukrainian, and Slovakian.
Weather, sports, and the adorable antics of children. Too frequently these topics dominate dinner-table discussions. Seldom do diners dig into the important topics of the day, such as who is sending threatening letters to a famous country music family? How did someone end up dead on the set of an '80s trivia game show? And who could have possibly wanted a Roaring Twenties gangster dead?
These kinds of riveting questions swirl around the dinner tables at the Casbah Theater, where Two Pence Productions inspires intrigue with a lineup of dinner shows, many of which are murder mysteries penned by playwright Eileen Moushy. Her original whodunits follow the classic sleuth framework that begins with a prelude to a murder, progresses to the dastardly deed, and culminates in an epic revelatory scene.
As the actors circulate throughout the theater and among the tables, guests listen in on dialogue to pick out clues and root out motives. Each plot line unfolds in a rich, evocative setting––such as the glamorous '80s or the dapper '20s––and the theater encourages guests to dress in costume, often awarding prizes to those who stay in character and use their cell phones as lie detector devices.
The Hershey Theatre, conceived in 1933 by noted philanthropist and chocolatier Milton S. Hershey, stands as an opulent tribute to the performing arts. Taking architectural cues from Saint Mark’s Basilica in Venice, the foyer’s towering arches gleam with golden paint and crystal chandeliers. The blue-and-gold mosaic that leads to the main seating area is the masterwork of two German artists who spent two years on its construction. Once inside the theater, audiences might think they’ve stepped onto the streets of Venice thanks to the atmospheric ceiling, stonework facades, and gondoliers paddling them to their seats. ####Bethel Woods Center for the Arts Music has permeated the 800 manicured acres where the Bethel Woods Center for the Arts has stood since 1969, when farmer Max Yasgur agreed to let love, peace, and harmony grow wild at the very first Woodstock festival. These days, the renowned outdoor venue and cultural center continues to attract the biggest acts in music to its pavilion stage. The open-air design ensures ample ventilation on the natural sloping lawn, and a roof protects up to 15,000 fans from inclement weather and the prying eyes of Cessna pilots.