Deals in Keansburg

You can’t rush perfection, but you can wash it down correctly. The DeMarco family explains why you won’t mind waiting for a slice at Di Fara Pizza and what you should bring to drink. Worth the Wait Dom DeMarco isn’t big on advertising. Probably because he doesn’t need it. Dom—owner, founder, and sole chef at Di Fara Pizza—knows he’ll have a crowd to feed no matter what. The masses waiting in line outside Di Fara’s modest storefront, next door to a 99-cent shop in Brooklyn, are evidence of that. So is the fact that they’re waiting for the chance to hand over $5 for a piece of pizza. Five bucks might seem a bit much for a single slice, but these devotees clearly don’t mind. Even Mayor Bloomberg weighed in on the discussion. “If you’ve ever had a really great slice of pizza,” he told the New York Times, “you know there are worse deals.” But the food at Di Fara doesn’t really need mayoral endorsements. Margaret DeMarco, Di Fara’s manager and Dom’s daughter, explained why the pies are their own best advertisement: “[The] pizzas are made with two cheeses and fresh, snipped basil and a drizzle of olive oil. The square is a slightly thicker crust, twice-baked, made with a richer sauce, and is a much heartier choice. The round is quite delicate in texture. We're famous for both." Margaret has worked alongside her father for more than 20 years now, and like the rest of her six siblings, she has, not surprisingly, developed cooking skills that she calls a “special art.” But dad is still in charge of all the cooking, and will be “as long as he has the strength and the desire.” He was born in Italy’s Provincia di Caserta, and he uses all imported ingredients for his pies—from the buffalo mozzarella cheese brought from Italy to the basil from Israel. While You Wait (and While You Eat): Take Advantage of Di Fara’s BYOB Option You won’t see mention of it on Di Fara’s website, but the pizzeria is also BYOB. In 2011, the Village Voice named Di Fara one of its 10 Best BYOB Restaurants in the city, encouraging guests to “uncork your best bottle of red and indulge in a marriage of gastronomic perfection." Margaret said that since the Village Voice article, they’ve noticed a lot of customers opting to bring along something to drink in the evenings. “Wine is usually the choice for most, but beer is also brought in,” she said. Margaret’s most important pairing recommendation for those settling in at one of the eatery’s coveted 19 seats? Try a slice of both the round pie and the square pie for the sake of comparison. After that wait, you’ve probably earned it. What Booze to Bring Serious Eats says: Czech Krušovice beer “Krušovice, with its sweet, almost caramel flavor, is a dark (basically black) beer, that's hardly found in the States … A cold Krušovice with a hot, olive oily, basily Di Fara's slice, is my idea of each food group at its best,” said writer Erin Zimmer, who suggests picking it up at Associated Supermarket directly across the street. Gothamist says: Italian red wines “Bring a bottle of chianti or a barbera.”

Typically, it’s hard not to notice a gigantic mastodon skeleton. But at the American Museum of Natural History, looming fossils often get overlooked as guests explore five levels of seemingly infinite rooms, all packed with eye-catching exhibits. So, what might you be missing in favor of that famous blue whale? We reached out to Brad Harris, the senior director of visitor services at the museum, for his list of six unfairly overlooked gems. Here they are, from the fourth floor down to the first. The Warren Mastodon Paul and Irma Milstein Hall of Advanced Mammals, 4th Floor This poor mastodon met its untimely end in a bog in what is now New York. Its death was fortuitous for scientists, however—this is the first entire mastodon skeleton ever found in the US, and every bone that you see is real. Komodo Dragons Hall of Reptiles and Amphibians, 3rd Floor The fearsome lizards in this diorama once reigned over the Indonesian island of Komodo. They were brought to the museum by an expedition team in 1926, and are now forever posed in predatory victory over a wild boar. Chinese Wedding Chair Gardner D. Stout Hall of Asian Peoples, 2nd floor Adorned with tassels, embroidery, and tiny figurines galore, this chair would have carried a Chinese bride-to-be on her way to meet her husband for the first time. The chair was not only decorative, but practical: it kept the bride’s feet from touching the ground once she had dressed to be married, thereby saving her from bad luck. Roosevelt Murals Theodore Roosevelt Rotunda, 2nd floor These murals tend to play second fiddle to the huge barosaurus skeleton in the middle of the room. If you look past the rearing dinosaur, though, you’ll see the major life milestones of President Theodore Roosevelt, which were painted by William Andrew Mackay in 1935. Giant Squid and Sperm Whale Irma and Paul Milstein Family Hall of Ocean Life, 1st floor Because it mimics the darkness of the deep sea, this diorama can be tough to make out at first. Once you get closer, you’re treated to a zoomed-in view of two underwater titans engaged in battle. Although mankind has yet to witness such a duel, sucker marks on sperm whales confirm that they do indeed take place in the inky depths. Star of India Morgan Memorial Hall of Gems, 1st floor Walk through the Hall of Meteorites and the Hall of Minerals to get to the Hall of Gems, and you’ll find one of the largest star sapphires in the world. The 563-carat Star of India proves that some things only get more wondrous with age: it’s approximately 2 billion years old. For a smidgen of that time in 1964, it was stolen from the museum by legendary cat burglar Jack Murphy. Authorities recovered the gem months after Murphy’s arrest, finding it in a Miami bus-station locker. Photos courtesy of the American Museum of Natural History. Still looking around for ways to fill your day? Check Groupon for things to do in New York City.

Rockaway! is a summer-long art exhibit celebrating the reopening of Fort Tilden, which was closed for two years after damage from Hurricane Sandy. Put on through a collaboration with the Museum of Modern Art’s contemporary museum, PS1, and local artist and community groups, the show’s big draw is a large exhibit by musician, writer, artist, and Rockaway resident Patti Smith. But there’s a lot more to explore there, especially when combined with a beach day. Follow our guide to navigating the historic site and the accompanying exhibit, whose works center around the connection between place, objects, and memory. The Chapel Walk into Fort Tilden, and the first exhibit area you’ll see is an old white building—the restored Fort Tilden chapel. Janet Cardiff’s The Forty Piece Motet takes over the bare and musty space with 40 speakers, each of which amplifies the voice of one singer performing their part of a complicated 16th-century choral piece. Walking among the speakers offers endless ways to hear the song; it felt personal and almost wrong to be walking among them, like sidling up to a chorister in the middle of a performance. The surround-sound effect feels even more intense when you look out the windows toward the peaceful beach. At the chapel, grab a brochure (with a handy map inside) and rely on volunteers to direct you to the other exhibits. Rockaway Artists Alliance Gallery A few hundred feet to the west, you can see what looks like an abandoned factory overgrown with scrubby trees. This houses the next exhibit, which you enter by going through the Rockaway Artists Alliance Gallery. The community nonprofit group’s gallery hosts Patti Smith’s photographs, which are a lifelong catalog of the objects and places dear to her: ex-lover and close friend Robert Mapplethorpe’s grave, Frida Kahlo’s corset, her own work boots. The photos are all shot on film in black and white, adding a layer of ghostliness to the surviving objects of dead people. Smith isn’t the best photographer, but it’s interesting to see a curated selection of a woman who seems to have traveled everywhere. Try to nab one of the scarce gallery guides at the front desk because, like the entire Rockaway! exhibit, signage is rare here but would be useful. (Skip the attached exhibit honoring Walt Whitman, which is stingy: a few unexplained relics in a display box, a dozen tattered copies of his books, a forgettable movie. You probably remember more about him from high school than you’ll learn here.) The Resilience of the Dreamer Across a small garden path is an old auto garage housing Smith’s installation, The Resilience of the Dreamer. A gilded four-poster bed, draped with white linens hanging from the high ceilings and lit by punched-out skylights, looks like a dream or a ghost. It's also a reminder that, despite its upbeat exclamation point, all of Rockaway! sprang from the traumas of Hurricane Sandy. Smith based Resilience on beds she saw washed ashore after the disaster. Around Fort Tilden Sprinkled throughout the grounds, a careful eye will catch a few of the little birds’ nests created by Adrián Villar Rojas. The low, slouching bowls are very difficult to find, looking for all the world like real nests—a small offering of home for a community where many were left homeless just two years ago. Granite blocks Smith inscribed with fragments of poems by Whitman stand along the shore road of Fort Tilden, almost at the western edge and close to the beach. We recommend taking a break in the sand before heading back to the bus stop and jumping on the Q22 bus, which will drop you off two blocks from the Rockaway Beach Surf Club. Rockaway Beach Surf Club The exhibit at the surf club features artwork by locals and notable artists, though no piece really stands out on its own. Granted, the large shack that makes up the surf club seems dim compared to the distracting, sun-drenched patio right outside. Grab a drink (cans of PBR are $3, a dark and stormy is $9) and take note of a few pieces of art before you run outside: Above the ATM is Camille Henrot’s Tropics of Love, a grid of nine tawdry and tender portraits of half-animals, half-humans coupled up. To the right of the bathrooms is Allyson Vieira’s Aphrodite I, a delicate ink drawing of an octopus that shows the artist’s very light and precise hand. Tom Sachs’s Tides at Rockaway Beach is the largest piece on the wall to the left as you walk in. At first, Sachs’s work looks like a schedule of upcoming tides, but looking more closely, it’s clear this is actually a schedule of deaths, listing men’s and women’s life expectancy against their age today. In short, Sachs’s work tells you how much longer you’re statistically likely to live. The subject matter is creepy, even though its handmade, graffiti-esque aesthetic fits right in with this local bar. Now, step out into the sun. Out back, surfers stash their boards in lockers, locals talk shop in flip-flops, and pilgrims from Manhattan let loose. A new Southern-style food truck sells meaty sandwiches (with one vegan option) and killer sweet-potato fries. Enjoy this last phase of your visit to the Rockaways—from there, it’s a half-block walk to the subway and back to reality. Rockaway! at a Glance When to go: Open and free to the public Thursday–Sunday from noon to 6 p.m. until September 1. The Rockaway Beach Surf Club exhibit is also open to the public free of charge Monday–Friday from noon to midnight and Saturday–Sunday from 11 a.m. to midnight. The Forty Piece Motet by Janet Cardiff will only be open through Sunday, August 17. How to get there: Take the 5 or 2 to the last stop in Brooklyn, Flatbush Ave./ Brooklyn College, and walk a block to the intersection of Flatbush Avenue and Avenue H, in front of Target. From there, catch the Q35 bus toward the Rockaways, getting off at the first stop after crossing the Marine Parkway Bridge. What to bring: At Fort Tilden, water and food are scarce but surf and sand are plenty, so pack a towel, swimsuit, sunblock, water, and snacks. Photos by Kasia Mychajlowycz.