Parked on a high ledge next to a bust of Ronald Reagan wearing a party hat, a miniature DeLorean patrols The Wormhole, a sit-down coffee shop that doles out caffeine and pop-culture kitsch in equal doses. For children of the 1980s, the cafe delivers a "wormhole" experience, surrounding them in emblems of an era: Nintendo games (available for play), ET collectibles, plush gremlins, and Star Wars doodads.
The menu also smacks of the 80s, although it frequently changes to accommodate seasonal tastes. In recent times, baristas have fused espresso with cocoa puffs, and dished out donuts encrusted with Fruity Pebbles. Select beverages come with a Nilla wafer-chaser. As for edibles, Fritz Pastries supplies homemade tarts (a gourmet variation of the kind that come in silver foil) and other handheld treats.
Spotlight Theatres screens enrapture audiences with first-run movies. In each movie house, digital sounds and visual projections of fresh Hollywood films alight inner emotions of audiences resting in plush, high-backed stadium seats—each outfitted with a coin-operated mustache comb—or thrown directly into the action through 3-D technology. As eyes and ears relish motion-picture pursuits, soda, candy, and bounties of salty, crunchy popcorn emerge from the concession stand to occupy chatty mouths or catapult towards the screen to feed the hungry actors.
Anyone active in Savannah’s theatre community in the 70s and 80s would likely have encountered Tom Coleman III, a director who began his career at the Savannah Young People’s Theatre. He produced and directed more than 200 shows in the ensuing 35 years, culminating in the founding of the Savannah Community Theatre. The company often produces shows by local playwrights, along with a weekly, pirate-themed murder mystery dinner show.
First opening its doors in 1818, the Savannah Theatre hosts a plethora of productions upon its well-seasoned stage. June's shows include Country Star Revue, a two-hour mosey through the past half-century of country-music hits. The festive performance features the twangy tunes of Patsy Cline, Johnny Cash, Rascal Flatts, and Taylor Swift, belted out by a septet of denim-clad vocalists accompanied by a live band and a chorus of tap-dancing cowboy hats. Alternatively, audiences may take a tuneful trip in the wayback machine with The Beat Goes On. From the Age of Aquarius through the age of acid-washed jeans, this musical visits the memorable melodies from the '60s, '70s, '80s, and a few spots outside the space-time continuum. Check the schedule for performance dates and times.
Entering their 85th season, the Harlem Globetrotters have entertained millions of parents, children, and general basketball admirers with a unique brand of athletic precision and showmanship. For their latest “4 Times the Fun” North American tour, the Globetrotters will add a new 4-point shot spots located 35 feet from the basket, which is 12 feet further than the official three-point line but several thousand miles closer than the prime meridian. See the arch-nemesis Generals try to keep up as the Harlem hardwood sorcerers evade gravity’s oppressive clutches and court clairvoyants distribute unassailable alley-oops. Youngsters can learn about the benefits of teamwork while laughing along with the jovial jocks as they perform classic routines of unconventional passing and sudden transmutations of water into confetti.
Grammy-winning slide-guitarist Derek Trucks and Grammy-nominated singer/guitarist Susan Tedeschi bring their music-filled marriage to the stage with the help of a handpicked 11-member band steeped in Delta blues and drenched in Memphis soul. Trucks and Tedeschi met while playing with the Allman Brothers Band and bring years of independent performance and songwriting experience to their new collaboration. Opening for them will be the legendary John Hammond, inducted into the Blues Hall of Fame in 2011 despite the controversy over his sustain pedal's steroid habit. Tickets are in the highlighted section and are assigned on a first-come, first-served basis.