- $29 for one G-Pass for the orchestra (rows AA–MM) (up to $58.37 value)
- $34 for one G-Pass for rows P–DD of the orchestra or rows J–U of the balcony ($68.62 value)
- Click to view the seating chart.
How G-Pass Works: Your G-Pass will be ready to print 48 hours after the deal ends. Print the G-Pass and use it to enter the venue directly; you won’t need to redeem at will call. Due to security restrictions, G-Passes cannot be redeemed through the Groupon mobile app. Discount reflects the merchant’s current ticket prices - price may differ on day of event.
Dennis DeYoung and the Music of STYX
- Where you met DeYoung: as a founding member of STYX
- STYX’s monster hits: “Lady,” “Babe,” “Come Sail Away,” “Mr. Roboto,” “Renegade”
- Why he’ll probably answer to the name “Kilroy”: Kilroy Was Here, the concept album that spawned “Mr. Roboto,” featured DeYoung as the voice of the rebellious protagonist
- His post-STYX life: touring, writing albums such as One Hundred Years from Now, playing the lead singer of a STYX cover band in Hilary Duff’s The Perfect Man
- Where else you’ve heard DeYoung’s operatic pipes: in his album of Broadway standards, or on tour with Jesus Christ Superstar
- Joining him in concert: a six-piece band, who helps DeYoung capture the prog/arena-rock magic of a Styx live show
- DeYoung’s multi-tasking skills: he not only unleashes his operatic voice on audiences, but also plays keyboard, smiles, and sneaks in games of Minesweeper between songs
Genesee Theatre began its life with a sellout. Opening its doors on Christmas Day 1927, it welcomed audiences to four sold-out movie screenings, but those flickering stories weren't the only attraction. A $25,000 pipe organ—and that's in old-timey dollars—immediately caught the eye, while Italian marble, a stunning chandelier, and the building's Spanish Renaissance–style architecture dazzled.
Over the years, many changes occurred, the glamorous quotient rising or dipping with the times and the theater closing altogether in 1989. But when it reopened again in 2004, it was back in full force. Antique chandeliers and fixtures of the period had been brought in from around the country, the luxe carpet had been re-created from a 1927 photograph, and all the dust bunnies had been sent packing with generous severance packages. Yet not all the updates were of the old-fashioned sort: the stage was doubled in size, and cutting-edge technology was brought in to give the theatre's high-voltage visitors, from comedians to musicians, the star treatment.